Tuesday, February 5, 2019

Pleated House Resides in a Forest on the Shores of Lake Michigan

Pleated House Resides in a Forest on the Shores of Lake Michigan

Designed by Johnsen Schmaling Architects, the Pleated House resides within a lush forest of trees on the eastern shore of Wisconsin’s Door County, a peninsula on Lake Michigan. The house sits in a clearing, almost disappearing into the wooded landscape, with the help of charred cedar siding from Northern Wisconsin.

The textured, blackened siding is paired with varnished cedar panels and Marvin Ultimate Casement windows and doors comprising dark-anodized aluminum and glass that offer a seamless look against the siding.

The exterior walls were installed with varying depths in a way that mimics the look of a pleated curtain, hence the home’s name. The gentle folds break up what could have been a basic solid exterior.

A much smaller second floor rests atop a green roof off to one side.

Floor-to-ceiling Marvin sliding glass doors open to the outside making it feel much larger while providing plenty of daylight to the interior.

The interior is designed in contrast to the exterior with smooth white surfaces and grey polished concrete floors.

via http://design-milk.com/



from WordPress https://connorrenwickblog.wordpress.com/2019/02/05/pleated-house-resides-in-a-forest-on-the-shores-of-lake-michigan/

Going Back to Memphis Shelf by mpgmb

Going Back to Memphis Shelf by mpgmb

The appreciation for Memphis style continues to this day, influencing designers with its fondness for bright colors and bold designs. Montreal-based mpgmb give nod to the 80s design movement with their latest design, the Going Back to Memphis Shelf. The design duo add a playful spin to the shelf with an asymmetrical design, geometric shapes, and a range of colors. The result is the perfect mix of eye-catching abstraction and practical functionality.

Sculptures by Pascale Girardin.
Photos by Stephany Hildebrand.

via http://design-milk.com/



from WordPress https://connorrenwickblog.wordpress.com/2019/02/05/going-back-to-memphis-shelf-by-mpgmb/

Listen to Episode 79 of Clever: Grace Bonney

Listen to Episode 79 of Clever: Grace Bonney

In this episode of Clever, Amy and Jaime talk to Design*Sponge founder Grace Bonney, who grew up knowing she wasn’t straight but not knowing what to do with that. Her love of Riot Grrrl music and angry collages informed her creative identity and after studying art and journalism in college, it all melted together in the creation of Design*Sponge. After 15 years and a lot of success, she’s just announced that she plans to shutter this year and she’s sending it out in a blaze of experimentation and celebration. We can’t wait to see what’s next! Listen:

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Stay tuned for a new episode of Clever in two weeks! Don’t miss an episode: Subscribe to Clever on Apple Podcasts, Stitcher, Google Play, SoundCloud, Spotify, and YouTube, or use our feed http://clever.libsyn.com/rss to subscribe via your favorite podcast app.

Follow Clever on Facebook, Twitter and Instagram. And most importantly, please spread the word to anyone who you think would like it.

via http://design-milk.com/



from WordPress https://connorrenwickblog.wordpress.com/2019/02/05/listen-to-episode-79-of-clever-grace-bonney/

The Best of Maison et Objet 2019

The Best of Maison et Objet 2019

In a sprawling exhibition in Villepinte, 2910 brands presented their creations at this year’s Maison et Objet (January 18-22). This year’s exhibition was divided into “Maison” and “Objet” in separate sections to make the visitor experience more intuitive. From blue parrots to hourglass sand portraits to sinks that resemble Portuguese valleys, we bring you our picks from the fair.

Photo by Cullen Fairchild

Photo by Cullen Fairchild

MOLO, led by Stephanie Forsythe and Todd MacAllen, is a company that does it all. Based in Vancouver, British Columbia, Canada, their practice integrates architecture, craft and product design to produce coherent spaces made by the same basic models. The allure of Molo is in how much they’ve been able to invent with one concept. The company’s signature paper softwalls move and expand with your needs, but the same flexible material is also integrated into furniture pieces and lighting fixtures.

Photo by Cullen Fairchild

Walking through the Domani exhibition is like walking through an ethereal valley composed of perfectly shaped vases and angular rocks. At Domani, industrial meets the craft of pottery. Their larger-than-life outdoor pots are made by high-grade terracotta and zinc and baked using a Japanese method known as Raku. The finish on these reminds me of the moon: it’s actually caused by glaze that has been chipped off the pot, leaving an artful pattern of smoke lines on the clay that remain after the burning.

Photo by Cullen Fairchild

Photo by Cullen Fairchild

If you’re looking for a statement piece for your home, something that your friends will crowd over at a party to talk about, try Lladró’s luxury porcelains. Don’t let the “luxury” of it throw you off; they’re more art than ornamentation, and they’re a visual delight. The alien-like models adorning the wall are “Guest” figurines as part of their “Designed by” collection; external artists such as artist Tim Biskup, Gary Baseman, Jaime Hayou and Paul Smith collaborated with the brand to inject these figurines with their own trademark styles.

Photo by Cullen Fairchild

Maison Valentina was the standout in bathroom furnishings. The design of this vessel sink above, was inspired by the shape of the fields in Duoro Valley, Portugal. The products are made to measure and you can even choose between 3 types of marble: Nero Marquina, Carrara and Estremoz.

Photo by Cullen Fairchild

Each mural and screen produced by Papiers de Paris is a masterpiece worthy of a place in a French museum. In fact, they’ve worked with the museum of decorative arts in Paris, the Musée des Arts Décoratifs, as well as the Wallpaper museum, Musée du Papier Peint, in Rixheim, France. Their collection of exquisite scenes—1830 Revolution, Eden, In The Countryside, Port of Marseille, Mont Saint Michel, Brasilian Forest—promise to transport you back in time to another milieu.

Photo by Cullen Fairchild

Photo by Cullen Fairchild

Photo by Seletti.

Photo by Amara.

Seletti’s products have an unmistakable, modern eclectic flair—a personality of their own, if you will—that you’ll soon come to identify with their brand. It’s not just the immensely eye-catching nature of their booth. Their products are playful and refreshing, from hybrid patterned plates to mouse, banana and dinosaur lamps.

Seletti’s designers seem to have all the fun with their furniture, decor and contemporary lighting—and they want you to as well!

Astair by Pierre Charpin at Lignet Roset

Confluences by Philippe Nigro at Lignet Roset

Prado by Christian Werner at Lignet Roset

The largest booth of the exhibition belonged to French modern furniture company Lignet Roset. Some of the highlights of this high-end furniture brand’s collection include Astair by Pierre Charpin, Confluences by Philippe Nigro, Prado by Christian Werner, and Uncover by Marie Christine Dorner in a new pale peachy pink.

Photo by Cullen Fairchild

In the “Unique and Eclectic” section of the exhibition, Austrian artist Klaus Bösch or KB the Sandman presented his creative, custom made sand hourglass frames which he calls “moving sand art.” Sand drips in streams and waves to the bottom of the frame in real time, forming cloudy poufs and valleys and intricately layered mountain scapes, each one unique. The rounded wall mounts can be rotated when complete, so the landscapes you can form with this are endless.

Photo by Cullen Fairchild

Designer of the Year this year went to 37-year-old German furniture designer Sebastian Herkner, who we profiled in 2015. An internship with Stella McCartney started his interest in design and form; he’s since established his own studio and worked with brands from Moroso to Dedon, Thonet and Lintello.

On their choice of Designer of the Year, Maison et Objet released a statement praising Herker for “an unconditional love for traditional craftsmanship, a flair for colour, an eagerness to embrace everything global and to draw on other cultures, an appetite for traditional materials (ceramics, wood, marble and leather), a desire to encompass sustainability, a keen eye for detail, [and] a sense of respect for the time it takes to create a truly stunning piece.”

via http://design-milk.com/



from WordPress https://connorrenwickblog.wordpress.com/2019/02/05/the-best-of-maison-et-objet-2019/

Bref Offers Ephemeral Art and Design in Montreal

Bref Offers Ephemeral Art and Design in Montreal

Bref is a boutique, a gallery, and an event space that offers a unique journey and shopping experience to lovers of art and design. Based in Montreal, Bref brings together every month, under a specific theme, exclusive pieces made by emerging artists and brands, both on the local and international scene. What Bref offers is always ephemeral; the Mile End shop is constantly evolving, as well as other venues that are occupied temporarily for pop-ups.

Why did you pick this city/neighborhood/storefront?

Three years ago, when we started working on the concept of Bref, we observed that Montreal lacked an innovative venue that allowed emerging creators to present their work. There are many inspiring concepts on the Montreal scene, but most work in silos. The galleries on one side, the event spaces of another, then the shops. We wanted to put all this together in one place.

For us, the Mile End neighborhood, where we are located, represented the essence of our concept. It is an artistic neighborhood, known for its streets where we find several inspiring concepts. There is a neighborhood life at all hours of the day with many coffee places, restaurants, fun shops, bars, etc. For us it was exactly the soul we wanted to give to Bref.

Where did you get the name for the store?

Bref is a constantly evolving gallery shop based on ephemeral themes that last between 6 and 8 weeks. Over the months, different themes are set up in the space and we gather for the occasion a series of emerging creators to discover, in link with the subject of the exhibition.

Bref means brief, for the ephemeral and short-lived component of what is presented in our space. Each time, the curious have only a few weeks to come to discover the exhibition.

Has it changed much since it opened? How?

The heart of our concept has not changed since its launch. Our mission, stronger than ever, is always the same: accompany creators from here and elsewhere in their emergence on the Montreal market.

On the other hand, the market is changing. Independent production, limited series, emergence is more and more encouraged and recognized. Several spaces renew their concept to adapt who they are to the era of time. So to keep the innovation of our space, we must also continue to think and to push further our concept. For example, we have proposed two pop-up shops in the last few months to make our themes travel. One in Boston and the other in another area in Montreal for the Station F-MR pilot project.

What’s one of the challenges you have with the business?

We took the challenge of renewing our space and our selection over the months. So it is a perpetual challenge that we love to take up: constantly present themes that are relevant and stimulating for the public.

Subsequently, our great challenge in 2019 is to propose a new web platform to better make our themes live. So that no matter where one lives, you can understand and live the exhibitions and buy the objects. We want Bref to travel!

What other stores have you worked in before opening this one?

We did not necessarily have experiences with stores before launching Bref. Maude has a background in architecture and space design, and Cynthia in branding in the field of retail. This is where we draw our experience from. On the other hand, before launching Bref, we tested the concept with a 3 week pop-up shop called November, in the same neighborhood as Bref. Just like at Bref, we presented a series of emerging creators and events were organized every week to constantly create rhythm in the space. From there, key conclusions could be took in consideration for the launch of Bref.

What’s your favorite item in the store right now?

At the end of January we present a theme, FIKA, inspired by the Scandinavian and Nordic countries. For the occasion, we present a series of photographs realized by the duo Un cercle.

Especially attracted by lonely lands, Iceland seems like an obvious choice for them. The series is the result of four trips to Iceland, during different seasons. Particularly sensitive to environmental and animal causes, the duo strives, through its work, to communicate about relationship between man and nature.

What is this season’s theme/inspiration/story?

Here is the resume of the current theme:

The cult moment of the day,
inspired by the philosophy
of Scandinavian and Nordic countries.

To sip, savor, and share,
with family, colleagues or friends.

When time stops,
Or the art of taking your time.

Through inspiring spaces,
with clean lines,
with elegant graphics, and
natural materials.

Bref,
It’s fika time!
[the Swedish coffee-break]

Coffee Cup by Léa & Nicolas

Are you carrying any new products and/or undiscovered gems you’re particularly excited about?

For each theme, we go in search of objects and creations still not presented at the public. We are working with new artists, brands unknown to the Montreal market, new collections and series specially designed for us, etc. So undiscovered gems, we have them often!

What’s been a consistent best seller?

Two of our exclusive products: our giant calendar and our beer glasses made, at each exhibition, with different illustrators!

What’s your process for selecting + curating the objects in your shop?

We do not have a special process for setting up our themes. We first establish a flexible annual calendar based on our inspirations, trends, and social movements. Then, according to different channels, we go in search of creators who allow us to make the next exhibitions live. Via social media, via the portfolios we receive, via trips we make, etc. Everything inspires us!

Once the selection is complete, we reflect on the setting up of this theme, its journey, its scenography and the best way to present the objects and creators that will be involved.

Any special events/exhibits/pop ups/collaborations coming up?

In continuation of what we did last year with our pop-up in Boston and in Montreal at the Station F-MR, we are currently looking at setting up another pop-up shop in a Canadian city. Stay tuned! Otherwise, we want to continue to bring international artists to Montreal and creating a new web platform.

Do you have anything from the store in your own home?

For sure…!

What’s been one of the most fulfilling aspects in opening your store?

First the meetings. At each expo, we have the most enriching meetings that make us see new aspects of creation and push us to continue doing what we do. It’s so inspiring.

And also to see how Bref allows designers, artists, new brands to shine. It lets them know what they are doing and where they are. And there is nothing more rewarding than being told by a creator participating in one of our exhibitions, that since he was introduced to Bref, his network has grown, his work is recognized by more people, and that we contributed to this emergence.

What’s one lesson you’ve learned since opening your store?

We spend our time planning, thinking, hesitating. But just get started: learn, spin, and run.

If you could give one piece of advice to someone who wants to follow a similar path to yours, what would it be?

Surround yourself, try your ideas, you’ll see! At worst, it does not work. You will find a better idea later!

Visit Bref at 261 Bernard Street West  Montreal, Qc, Canada  H2V 1T5

via http://design-milk.com/



from WordPress https://connorrenwickblog.wordpress.com/2019/02/05/bref-offers-ephemeral-art-and-design-in-montreal/